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This plan includes all upgrades for 12 months, along with access to bonus plug–ins (the same plug–ins already mentioned, plus Avid’s Pro Compressor, Expander, Limiter, Multiband Dynamics and Subharmonic plug–ins, and Reverb One, Revibe II and Space) and enhanced support.

AVID PRO TOOLS 12 CRACK MAC UPGRADE
Things are slightly simpler for Pro Tools HD users, with just a single Annual Upgrade and Support plan priced at £312 $399 per year, or £768 $999 for the first year if you’re upgrading from HD 9, 10 or 11, Pro Tools with the Complete Production Toolkit, or have let your plan lapse.

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After four years, annual subscribers and users with a Perpetual licence and both All Access plans will both have paid around £975 $1200, but the subscribers will no longer be able to use the software they’ve been paying for. While I could see the benefit of being able to have a second licence for a limited time when I need to run an extra system, it’s not a cost–effective option if you intend to use Pro Tools in the long term, unless you’re really on a tight budget. However, you can also choose from two subscription options that feature All Access plans offering upgrades, the bonus plug–ins, and support: a monthly option for £22.80 $29.99 per month, or an annual subscription, which is billed monthly at $24.92 and totals roughly £239 $299 for the year. This isn’t a bad deal, since you would previously have paid £550.80 $699 for this version, and it includes your first year of the Annual Upgrade plan.
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Firstly, you can purchase what Avid term a Perpetual licence for £478.80 $599, which is a full licence to use Pro Tools that will never expire, much as before. If you’re purchasing the non–HD version of Pro Tools for the first time, you now have two options. It’s important to note that the Pro Tools Annual Plug–in and Support plan does not include upgrades, so to get upgrades, plug–ins and support, you’ll need both plans. This second plan provides access to a number of Avid’s plug–ins - Eleven Effects (see box) and Space - and entitles you to unlimited online troubleshooting with a response time of one business day, and one troubleshooting phone call per month. Avid are also offering an additional Annual Plug–in and Support plan to the same users for a further £82.80 $99 per year. If you’re upgrading from Pro Tools 9, 10 or 11, or let your plan lapse and want to start using Pro Tools again, the cost of the first year will be £238.80 $299, and then £82.80 $99 per year thereafter. The cost of an Annual Upgrade plan for non–HD Pro Tools users is £82.80 including VAT $99 per year, once you’re using Pro Tools 12. Since I’m writing this review in mid–November (and as such it will most likely be 2016 by the time you’re reading this) I’m going to quote the standard pricing users will pay from now on. Throughout 2015 Avid offered special pricing on plans for existing users to encourage them to make the leap, although such pricing ceased at the end of the year.
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This approach is similar to what Waves users experience with the Waves Update Plan. Instead, you’ll need to have a current All Access plan, renewed on an annual basis, that entitles you to receive all upgrades released during the course of the year.

Never again will you be charged a specific fee for a new version of Pro Tools. The key point about such a plan hinges on the way paying for upgrades will be handled in the future. The new Pro Tools licensing options are based on what Avid call an All Access plan. Not exactly the line–up of splendours you would associate with a major integer release, especially since Avid wanted to encourage users to start paying for Pro Tools via what the company described as “flexible licensing options”. This meant the only new features in Pro Tools 12.0 were improvements to the I/O Setup window, a new Metadata Inspector window, the ability to purchase plug–ins within Pro Tools, and a new Dashboard window to replace the Quick Start window as the first thing that greets you when you open Pro Tools. However, when Pro Tools 12.0 was released a few months later, only one of these had been implemented - and I’ll give you a clue, it wasn’t cloud collaboration.ĭespite my lampooning of such collaborative features in last April’s Sounding Off, I still find it slightly poor (and slightly amusing) that almost a year later, as I write this, we’re still waiting for the “Avid Cloud Collaboration for Pro Tools” to be available. Can Avid persuade existing users that it’s time to start paying annual fees?Īvid announced Pro Tools 12 at 2014’s Winter NAMM show with a fanfare, promising new features for cloud collaboration, and a new way for users to pay for the product.

The new features promised in Pro Tools 12 are finally starting to arrive.
